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Interval Ear Trainer

Hear two notes and name the interval between them — from a unison all the way up to an octave. Play them ascending, descending, or harmonic (both at once), start with a handful of intervals and work up to all thirteen, and lean on the reference-song hints (a perfect fifth is “Twinkle, Twinkle”) until your ear does it on its own. The pitches are exact 12-tone equal temperament with A4 = 440 Hz.

ℹ This is an uncalibrated practice aid, not a test, exam, or measurement. Your score is a personal practice metric that depends on your ears, your headphones, and the room — it is not a certification of ability. Music-theory interval names are exact in 12-TET (A4 = 440), but how an interval “feels” is subjective and the song hints are mnemonics, not rules. Use a moderate volume, and ideally headphones. Your scores are stored only in your own browser — nothing is uploaded.

Set up your practice

Reference-song hints

Press Play interval to hear two notes, then choose the name below.

Choose the interval you heard
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How It Works

An interval is the distance in pitch between two notes, measured in semitones. This trainer picks a random root note within a comfortable middle range, then builds a second note a set number of semitones away. It plays them with a clean fade so there are no clicks, you pick the name, and it tells you whether you were right — with a song hint to anchor the sound in memory.

The thirteen intervals

From smallest to largest within one octave: unison (0 semitones), minor 2nd (1), major 2nd (2), minor 3rd (3), major 3rd (4), perfect 4th (5), tritone (6), perfect 5th (7), minor 6th (8), major 6th (9), minor 7th (10), major 7th (11), and octave (12). Each is a fixed frequency ratio in equal temperament: every semitone multiplies the frequency by the twelfth root of two (about 1.0595), so an octave is exactly a 2:1 ratio.

Direction matters

Ascending plays the lower note first, descending plays the higher note first, and harmonic sounds both together so you judge the interval from the blend. Many people find descending intervals and the harmonic tritone the hardest, which is exactly why mixing them in is good practice. Start on Easy (just the perfect fifth, perfect fourth and octave), and add intervals as your accuracy climbs.

Using the song hints

Reference songs are a classic shortcut: the opening leap of a familiar tune is the interval. A perfect fourth opens “Here Comes the Bride”; an octave opens “Somewhere Over the Rainbow”; a minor second is the Jaws theme. After each answer the trainer shows the song so you can hum it back. They are memory aids, not theory — once the interval’s character is in your ear you will stop needing them.

Frequently Asked Questions

What is the difference between this and a perfect pitch test?
This trains relative pitch — hearing the distance between two notes, which is a learnable skill almost anyone can improve. Perfect (absolute) pitch is naming a single note with no reference, which is far rarer; one commonly cited figure is that roughly 1 in 10,000 people in the general population have it (a widely-published typical estimate; the true rate is debated and varies by training and culture). Interval recognition does not require perfect pitch.
Is my score a real measure of my musical ability?
No. It is a personal practice metric on uncalibrated equipment — your headphones, speakers, volume and room all affect what you hear. Treat it as a way to track your own progress over time, not as a test result or certification. The interval names themselves are exact (12-TET, A4 = 440), but your accuracy depends heavily on your listening setup.
Why are the song hints sometimes a stretch?
Song mnemonics are conventional memory aids, not theory. Different teachers use different songs, songs vary by region, and a tune’s opening leap is sometimes only approximately the named interval. Use whichever song works for your ear — the goal is to recognise the interval’s character, not to memorise one specific song.
Which intervals should I practise first?
Start on Easy with the perfect fifth, perfect fourth and octave — they are stable, very common, and easy to anchor to songs. Add the major and minor thirds and the major second next (Medium), then the trickier tritone, sixths and sevenths (Hard). Descending and harmonic versions are harder than ascending, so switch those on once the ascending versions feel comfortable.
Are my scores saved or sent anywhere?
Nothing is uploaded and no microphone is used — the tool only plays tones. Your session scores are stored only in your own browser (via local storage) so the Education & Ear Training progress tracker can show your history. Clearing your browser data, or using private/incognito mode, removes them, and the Clear button wipes this tool’s saved data immediately.