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Tweeter Test Tones

Play clean high-frequency sine tones from 2 kHz to 20 kHz — stepped, continuous, or as a slow sweep — and hard-pan them to the Left tweeter, Right tweeter, or both, so you can hear whether your treble drivers are working and matched.

Safe volume: high tones can be loud and ear-fatiguing without sounding loud — start quiet and never crank an inaudible tone. Honest limits: this is a tone generator, not a measurement — there is no microphone and nothing is recorded. If you can’t hear the top tones it is usually your ears (normal age-related rolloff, or presbycusis) and/or a device that rolls off above ~16 kHz, not necessarily a dead tweeter. To isolate a tweeter, compare Left vs Right at the same frequency: a side that’s silent or much quieter points at that driver/channel; both sides dropping out together points at your hearing or the device.

Test signal

Ready.

Typical Upper Hearing Limit by Age

These are widely-published typical population averages for healthy ears (the gradual loss of high-frequency hearing with age is called presbycusis; the trend is described in standards such as ISO 7029). They are a rough guide only — individuals vary a lot, and noise exposure, hardware and listening level all shift the number.

So if a 45-year-old stops hearing the 16 kHz tone, that is squarely in the typical range — not evidence of a faulty tweeter.

How It Works

A tweeter is the small driver in a speaker that reproduces the high end of the spectrum — roughly the top two octaves of music, from a few kilohertz up to the limit of hearing. This tool generates a pure sine tone with the Web Audio API’s oscillator and routes it through a stereo panner and a gain stage to your speakers or headphones. In stepped mode it sits on each round frequency (2, 4, 6, 8, 10, 12, 14, 16, 18, 20 kHz) so you can step up and down; in continuous mode a slider sets any frequency in the band; in sweep mode it glides smoothly from 2 kHz to 20 kHz over about twelve seconds so a single listen covers the whole top end. Gain is ramped up and down to avoid clicks, and the default level is deliberately low because steady high tones can fatigue your ears without ever sounding loud.

The channel selector hard-pans the tone fully left, fully right, or centres it on both. That is the key to telling a real fault apart from a limit you simply share on both sides: play, say, 14 kHz on Left, then switch to Right at the same level. A working pair of tweeters should sound essentially the same loudness on each side. If one side is silent or noticeably quieter, the suspect is that tweeter, its crossover, the channel of your amplifier, or the cable — not your ears. If both sides go quiet at the same frequency, the far more likely explanation is your own hearing rolling off, or the device/output rolling off (many phones, laptops and Bluetooth links attenuate everything above ~16 kHz).

Two honest cautions. First, browser audio output is stereo (two channels): we can address Left and Right with a stereo panner, but we cannot reliably drive discrete surround channels (5.1/7.1) from a web page, so this tests the front L/R pair only. Second, “I can’t hear it” is not the same as “the tweeter is dead.” Because this is a generator with no microphone, it cannot measure output level, distortion, or frequency response — for that you need a calibrated measurement microphone and software such as REW, or a real SPL meter. Use these tones to find gross problems and to compare sides, then measure if you need numbers.

Frequently Asked Questions

I can’t hear the 18 or 20 kHz tone — is my tweeter broken?
Probably not. Most adults cannot hear much above 15–17 kHz, and the upper limit drops steadily with age (presbycusis). On top of that, many phones, laptops and Bluetooth outputs roll off above roughly 16 kHz, so the tone may not even be reaching the speaker at full level. A truly dead tweeter usually shows up as silence on one side while the other still plays — so compare Left vs Right before blaming the driver.
How do I tell a dead tweeter from my own hearing limit?
Use the channel selector. Pick a frequency you’re unsure about and play it on Left only, then on Right only, at the same volume. If one side is silent or clearly quieter, that tweeter (or its crossover, amp channel, or cable) is the likely fault. If both sides disappear together at the same frequency, the cause is almost certainly shared — your hearing or the device/output — not a single driver.
Can this measure my speaker’s frequency response or distortion?
No. This is a tone generator with no microphone, so it produces sound but measures nothing — it can’t report dB SPL, distortion, or a response curve. For real numbers you need a calibrated measurement microphone with software like REW (or an SPL meter for level). Use these tones for quick listening checks and Left/Right comparison, and reach for a measurement rig when you need data.
Are the age-related hearing limits exact?
No — they are typical population averages for healthy ears, included as a rough reference. The gradual loss of high-frequency hearing with age is called presbycusis, and the trend is described in standards such as ISO 7029. Individual results vary widely with genetics, noise exposure and the equipment you use, so treat the table as a guide, not a diagnosis. A formal audiogram from an audiologist is the proper test of your hearing.
Is it safe to turn the volume up to hear the highest tones?
Be careful. Steady high-frequency tones can be fatiguing and can stress small tweeters, yet they often don’t sound loud, so it’s easy to push the level too high. Start at a low volume and raise it gently; if a tone is inaudible, don’t keep cranking it — it may simply be above your hearing or your device’s limit. Protect your ears and your drivers.
Can it test my surround (5.1 / 7.1) tweeters?
No. Browser audio output is stereo, so this tool can address the front Left and Right channels with a stereo panner but cannot reliably drive discrete surround channels from a web page. It tests the front L/R pair only; for full surround channel routing you need dedicated multichannel test material played through the receiver itself.