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Vocal Resonance Analyzer

This free vocal resonance analyzer lets you sing a sustained vowel and see your voice’s spectral balance — how energy spreads from warmth to air — its brightness (spectral centroid), and the strength of the “ring” (singer’s formant, ~2.5–3.4 kHz) that helps a voice carry.

ℹ Resonance “placement” (chest, head, nasal) describes sensations, not measurable locations. This tool reports your spectral balance, centroid, and ring — acoustic facts that correlate with perceived brightness and projection. True nasality needs a nasometer (separate oral and nasal mics) and can’t be measured from one microphone. The picture also depends on your mic and room. Use it as a brightness/ring guide, not a clinical or anatomical readout. Your mic is analyzed live and never recorded or uploaded.

Microphone is off. Click “Start microphone”, then hold a steady vowel for a few seconds.

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How It Works

While you hold a vowel, the tool builds a rolling average spectrum of your voice (a smoothed picture of roughly the last second) and measures where the energy sits. It splits that spectrum into five bands — Warmth, Body, Mid, Ring and Air — and shows each band’s share. It also computes the spectral centroid (the “centre of mass” of the spectrum, a good proxy for perceived voice brightness) and the strength of the ring: energy in the singer’s-formant region around 2.4–3.4 kHz, where trained voices concentrate energy to cut through an ensemble. A dark, warm voice puts most energy low; a bright voice shows a clear ring bump and higher vocal projection. The singer’s formant is a cluster of the third, fourth, and fifth formants that merge into a single prominent resonance peak when the larynx is low and the pharynx is wide — a technique common to operatic voices and loud-stage performers who need to project over an orchestra without amplification.

Why not “chest vs head” directly? Because those are felt sensations of vibration, not quantities a microphone can locate. What a mic can measure is the resulting spectral balance, and that’s what you see here. Likewise, genuine nasality requires comparing sound from separate oral and nasal microphones (a nasometer); a single mic can’t isolate it. Treat the numbers as an honest acoustic mirror you can A/B against yourself — sing the same note “darker” then “brighter” and watch the bands shift. For vowel-by-vowel formant tracking (F1, F2, F3), the vocal formant frequency analyzer shows the individual resonance peaks that shape vowel identity. To track how well your pitch stays in tune during the same sustained vowels, use the vocal pitch checker alongside this tool.

Frequently Asked Questions

Does this tell me if I'm using chest or head voice?
Not directly — those are sensations, not measurable locations. It shows the acoustic result: your spectral balance, brightness, and ring. Brighter, ring-heavy balances often accompany a more “forward/heady” feel, but that’s a correlation, not a measurement.
What is the "ring"?
A cluster of energy around 2.5–3.4 kHz — the singer’s formant — that lets a voice project over instruments without extra loudness. A higher ring percentage means more of that carrying power.
Can it measure nasality?
No. Measuring nasality properly needs separate oral and nasal microphones (a nasometer). One microphone can’t separate nasal from oral output, so this tool doesn’t claim to.
Is my microphone recorded or uploaded?
No. Audio is analyzed live in your browser and never leaves your device. Stopping the mic releases it immediately.
Why do my numbers change on a different mic?
Every microphone has its own frequency response and rooms add reflections. Compare results on the same setup for consistency.
What spectral balance does a trained singing voice typically show?
Trained classical and musical-theatre voices generally show a moderate Warmth/Body foundation with a noticeable Ring band lift — often 15–25 % of total energy sitting in the 2–4 kHz region. Pop and speech voices tend to have a higher spectral centroid (brighter Air energy) because close-mic'd production adds perceived presence electronically. There is no single “correct” balance; compare your own readings across different vowels and registers rather than aiming at a fixed target.
How can I use this tool to improve my vocal projection?
Vocal projection is strongly linked to the Ring band (singer’s formant, ~2.4–3.4 kHz). Sing the same sustained note on an “Ah” vowel with a relaxed, open throat, then experiment with slightly lowering the larynx and widening the pharynx — classic techniques for building ring. Watch whether the Ring bar percentage increases. Higher ring energy helps a voice carry over accompaniment without shouting. Use Reset average between each attempt to get a clean reading per technique.
What does a high or low spectral centroid number mean for my voice?
The spectral centroid is the frequency at which energy is equally distributed above and below — a brightness summary in a single number. For a typical speaking or singing voice on an open vowel, centroids often fall between 800 Hz and 2 500 Hz. A centroid above ~2 000 Hz suggests a bright, forward placement; below ~1 000 Hz suggests a darker, warmer quality. The number shifts naturally between vowels (narrow vowels like “Ee” are naturally brighter than open vowels like “Ah”), so compare the same vowel across different techniques for a fair A/B.