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Voice Gender Analyzer

This free voice gender analyzer is a supportive feedback tool for voice training. Speak naturally and see two acoustic cues that shape how a voice is perceived — your average pitch (F0) and your resonance (formants) — placed on a masculine↔feminine perceptual spectrum.

This measures acoustics only. Pitch and resonance are sounds a microphone can measure; gender identity and biological sex are not, and this tool does not and cannot determine them. The result is where your voice’s sound currently sits on a perceptual range built from population averages — many voices fall in the overlap zone, and that is completely normal. It’s designed as encouraging feedback for voice training, including gender-affirming voice work, characterisation, or curiosity. Estimates depend on your mic, room, and how you’re speaking. Your mic is analyzed live and never recorded or uploaded.

Microphone is off. Click “Start microphone”, then speak naturally for about ten seconds.

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How It Works

While you speak, the tool tracks two things many listeners use to perceive a voice as more masculine or feminine. The first is fundamental frequency (F0) — your average pitch — found with a YIN pitch detector and reported as the median over your voiced samples (median resists the odd glitch). The second is vocal resonance: the tool runs LPC (Linear Predictive Coding) analysis to estimate your vocal-tract formants and reports the average of the first three (F1, F2, F3). Shorter or more “raised” vocal tracts tend to produce higher formants (a brighter, more “forward” resonance), which listeners associate with feminine-perceived voices; lower formants read as darker, more masculine-perceived. The marker blends both cues (pitch weighted a little more) and shows roughly where your voice’s sound currently sits. To explore formant patterns in more detail — for example, to see how different vowels shift your F1 and F2 — the Vocal Formant Analyzer provides a dedicated real-time F1/F2/F3 display.

For context, adult speaking pitch averages sit around 100–130 Hz for many men and 190–220 Hz for many women, with a large overlap in between — and plenty of people sit happily in that overlap. Research on voice feminization generally suggests that a sustained speaking pitch above roughly 160 Hz combined with higher-frequency resonance (formants) contributes significantly to a feminine-perceived voice, but listeners integrate many other cues too: intonation range, breathiness, articulation, and prosody. Similarly, voice masculinization training focuses less on absolute pitch (which hormone therapy may lower over months) and more on resonance placement and speech patterns. Those are population statistics, not personal targets, and they say nothing about who you are. If you’re training your voice, the most useful thing here is watching the numbers change as you experiment: lift your larynx, brighten your vowels, find a comfortable pitch, and see the marker move. Some trainees also use the Vocal Resonance Analyzer alongside this tool to get a fuller spectral-balance picture of how brightness and ring shift as they adjust their resonating space. Trust your ears and, for gender-affirming work, a qualified speech-language pathologist (SLP) over any single number.

Frequently Asked Questions

Does this tell me my gender or sex?
No — and nothing could from audio alone. Gender identity and sex are not acoustic properties. This tool only measures how your voice sounds (pitch and resonance) and where that sits on a perceptual range. The result is about sound, not identity.
Is this useful for voice feminization or masculinization training?
Yes — that’s the main use. Watch your pitch and resonance change as you practise, and use it as live feedback alongside the guidance of a speech-language pathologist for gender-affirming voice work.
Why does resonance matter as much as pitch?
Pitch alone doesn’t define a perceived voice — resonance (formants, set by vocal-tract shape) is a huge cue. Many trainees raise pitch but still read a certain way until they also shift resonance. That’s why both are shown.
Is my microphone recorded or uploaded?
No. Audio is analyzed live in your browser and never leaves your device. Stopping the mic releases it immediately.
Why do my numbers vary?
Pitch and resonance shift with how you speak, your mic’s frequency response, and the room. Use medians over several seconds and compare on the same setup. Formant (resonance) estimates from LPC are approximate.
What pitch (Hz) should I aim for in voice feminization training?
There is no single “correct” target, but research suggests that a habitual speaking pitch above roughly 155–165 Hz is often read as feminine-perceived by listeners, while pitches below 130 Hz tend to be read as masculine-perceived — with significant overlap in between. However, pitch alone is not the whole picture: resonance (formants) and intonation patterns contribute equally. Chasing a high pitch at the cost of tension or strain is counterproductive; working with an SLP to find a sustainable, resonant pitch is far more effective long-term.
My marker is in the “androgynous” zone — is that a problem?
Not at all. The overlap zone between masculine-perceived and feminine-perceived is very large in reality — many cisgender speakers land there too. The androgynous zone is not a failure state; it simply means the two acoustic cues measured (pitch and formants) are in the range where listener perception varies by individual. Voice perception is also shaped by context, intonation, vocabulary, and other cues this tool does not measure. Use the numbers as a direction, not a verdict.
How long does voice training for gender affirmation typically take to show progress?
Most people doing structured gender-affirming voice training with an SLP report noticeable change in 3–6 months of consistent practice. Resonance shifts (which require changing habitual vocal-tract posture) tend to take longer to become automatic than pitch shifts. This tool can help track incremental progress over sessions — use Reset at the start of each session and note the average pitch and resonance reading to build a simple log.